Korg SoundLink MW2408 24-Channel 8-Bus Hybrid Analog/Digital Mixer (Black) TGF11

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Musicians, engineers, and producers looking for an affordable hybrid analog/digital mixer will be impressed with the Korg SoundLink MW-2408, a 24x8x2 mixer with advanced features such as mute groups, musician's custom monitor mixes, HiVolt high-headroom mic preamps, 8 mono/4 stereo buses, and a powerful digital section with 32-bit Korg effects, dynamics, and a 31-band paragraphic EQ with integrated spectrum analyzer, well suited for live bands, recording studios, and small broadcast applications.


Designed in conjunction with legendary mixer designers Greg Mackie and Peter Watts, the SoundLink MW-2408 features 16 XLR HiVolt microphone preamps with 16.5V internal voltage for clean high headroom. Line-level inputs are available via 1/4" inputs with mono inputs on channels 1-8 and stereo input on channels 9-24. Each channel offers input gain, EQ, four aux sends, an FX send, pan, mute, overload, and -20 dB LEDs, 8-bus assignment switches, a 60mm fader, and a pre-fader listen switch. Mono channels feature a 3-band EQ with a sweepable mid frequency, a 100 Hz high-pass filter, and a single-knob compressor, while stereo input channels feature a four-band EQ with two fixed-band mid-band EQs.


Outputs include a pair of XLR and 1/4" main outputs, a stereo pair 1/4" monitor outputs, 8 mono / 4 stereo bus outputs, and four aux sends with XLR outputs. Additionally, Aux 3-4 feature 1/4" musician's phones outputs, which allow vocalists and drummers to customize "more me" in their headphone mix. Mute Groups let you choose what combination of channels you want live without having to fiddle with multiple channels. Press one of 4 Mute Group buttons, and touch the channels' Mutes you want as part of the Mute Group.


The digital section features studio-quality dynamics processing with two types of compressors, two types of noise gates, and a limiter, as well as antifeedback functions, and dedicated EQs for Main L/R and Aux 1-2. The 31-band spectrum analyzer works in conjunction with the paragraphic EQ, which provides access to 9 selectable bands out of 31 bands for fast and efficient feedback suppression. The onboard digital effects utilize a 32-bit DSP engine and offer 20 types of effects from reverbs and delays to modulation FX and test tones. All digital settings can be saved and recalled for fast and efficient operation. The SoundLink MW-2408 can be rack mounted with optional rack ears. The mixer ships with a power cord and includes iZotope RX Elements




True hybrid design developed with mixer design legends Greg Mackie and Peter Watts

HiVolt mic preamps, with tons of headroom (+16.5V internal voltage)

Velvet Sound A/D and D/A converters with 0.004% THD

L/R Monitor, ¼” and XLR main outs, eight ¼” Group Outs, four XLR Aux Outs, two ¼” Musician’s Phones outputs linked to Aux 3 and 4, front-panel Headphone output, stereo USB output

Eight mono / four stereo individual output buses

Musician’s Phones Monitor Section gives two musicians individual control of submixes

Mute Groups to quickly create and recall various input combinations

Talkback to L/R or to Aux 1-4

Mono channels have HI (12 kHz), MID (250 Hz to 5 kHz sweepable), and LO (100 Hz) EQ

Stereo channels feature HI, HI MID (2.5 kHz), LO MID, (250 Hz) and LO EQ

Remarkable 9-/31-band Paragraphic EQ addresses nine bands out of a possible 31 and works with built-in Spectrum Analyzer

Peter Watts designed digital Compressor, Limiter, and Noise Gate, each with editable and recallable parameters

Twenty of KORG’s renowned 32-bit digital effects—10 at once, save and recall user settings

One-knob Compressor on all mic channels

Remarkable Automatic Feedback Control

USB stereo audio output/input + input for optional foot switch

All-XLR speaker outputs

Enhanced Break Switch with 3.5mm input

Silky-smooth long-life ALPS faders and rotary controls

Fits in a 19” rack

Digital Effects

Rev Hall, Rev Hall Warm, Room, Warm Room, Rev Vocal, Rev Vocal Warm, Stage, Stage Warm, Plate Reverb, Plate Reverb Warm, Spring Reverb Warm, Analog Delay, Tape Echo, Variable Delay, Delay of the Korg SDD3000, Chorus, Flanger, Exciter, Sub Bass booster, 1 kHz test tone, Slow Sweep, Fast Sweep, White or Pink Noise



Number of Analog Input Channels        24 (8 Mono / 8 Stereo)

Number of Mic Preamps  16

Number of Analog Output Channels    20

Max I/O Capacity   24 x Input / 20 x Output

Mix Routing 8 x Mono Bus

2 x Mono Aux Send

2 x Stereo Aux Send

1 x Stereo Main LRC

Groups          8 x Subgroup

4 x Mute Group

Presets          20 x Preset (Factory)

Display          Main Display:


Display Resolution/Color Main Display:


Faders           22 x 2.4" / 60 mm

Meters          Main Meter:

2 x 12-Segment LED

Meter Range           -15 dB to +18 dB Peak/Clip

Signal Processing

Gain/Trim Range    XLR Mic Input:

-10 dBu to +60 dBu

1/4" Line Input:

+10 dBu to +60 dBu

Dynamic Processing          Input Channels:



Compressor, Limiter, Gate

EQ       Input Channels:

3-Band EQ (Mono Channels)

4-Band EQ (Stereo Channels)


9-Band Graphic (Stereo Channels)

EQ Parameters       1 x HF Shelf:

±15 dB at 12 kHz (Mono Channels)

1 x MF Notch/Peak:

±15 dB at 250 Hz to 5 kHz (Mono Channels)

1 x LF Shelf:

±15 dB at 100 Hz (Mono Channels)

1 x HF Shelf:

±15 dB at 12 kHz (Stereo Channels)

1 x MF Notch/Peak:

±15 dB at 2.5 kHz (Stereo Channels)

1 x MF Notch/Peak:

±15 dB at 250 Hz (Stereo Channels)

1 x LF Notch/Peak:

±15 dB at 100 Hz (Stereo Channels)

Graphic EQ   Yes

Filters Mono Channels:

1 x High-Pass: 100 Hz, 18 dB/Octave

Solo/Mute    PFL per Input Channel

Channel Output/Source Monitoring     PFL

Built-In Effects        12 x Stereo Reverb

4 x Stereo Delay

1 x Stereo Flanger

1 x Stereo Chorus

Real Time Analyzer            1 x 31-Band

Audio Delay None

Digital Audio

Sample Rates          Up to 48 kHz

Bit Depth      24-Bit

DSP     32-Bit

Converter Dynamic Range           A/D:

115 dBA


115 dBA


Frequency Response         20 Hz to 20 kHz +0.5/-1.5 dBu

Output Level            +26 dBu

Headphone Output Power          100 mW per Channel into 32 Ohms

I/O Impedance        Input:

3 Kilohms


75 Ohms

Crosstalk      Input to Output:

-70 dBu at 20 kHz

Adjacent Channels:

-90 dBu at 20 kHz

EIN      XLR Mic Input:

-128 dBu

SNR    Analog Input to Main Output:

-70 dB

THD    Analog Input to Main Output:

0.004% (+4 dBu, 2901653245,2901837170)

Signal Generator    Sine, White, Pink Noise


Analog Inputs          17 x XLR TRS Balanced Mic Input

8 x 1/4" TRS Balanced/Unbalanced Line Input

16 x 1/4" TRS Balanced/Unbalanced Stereo Line Input (8 Stereo Pairs)

Analog Outputs      2 x XLR 3-Pin Balanced Stereo Main Output (1 Stereo Pair)

2 x 1/4" TRS Balanced Stereo Main Output (1 Stereo Pair)

2 x 1/4" TRS Stereo Monitor Output (1 Stereo Pair)

4 x XLR 3-Pin Balanced Stereo Aux Send

2 x 1/4" TRS Stereo Aux/Headphone Send

8 x 1/4" TRS Balanced/Unbalanced Bus Output

Phantom Power     +48 V

Digital I/O     0 x DB25

MIDI I/O        None

USB    1 x USB Type-B (USB 2.0, 2-Track Record, Audio Playback)

Expansion Ports      None

Wireless Connectivity       None

External Display Connection       None


Max Multitrack Recording           2 Tracks


OS Compatibility    macOS



*As of March, 2021: Check with manufacturer for the most up-to-date compatibility


AC Input Power      100 to 240 VAC, 50 / 60 Hz

AC Power Connector         1 x IEC Input

Power Consumption         45 W (Typical)


Rack Mountable     Yes

Rackmount Size      12 RU (with Optional Hardware)

Operating Temperature   32 to 110°F / 0 to 43°C (Recommended)

Dimensions  18.9 x 7.4 x 20.9" / 480 x 187 x 530 mm

Weight          20.5 lb / 9.3 kg


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