Korg SoundLink MW2408 24-Channel 8-Bus Hybrid Analog/Digital Mixer (Black) TGF11
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Musicians, engineers, and producers looking for an affordable hybrid analog/digital mixer will be impressed with the Korg SoundLink MW-2408, a 24x8x2 mixer with advanced features such as mute groups, musician's custom monitor mixes, HiVolt high-headroom mic preamps, 8 mono/4 stereo buses, and a powerful digital section with 32-bit Korg effects, dynamics, and a 31-band paragraphic EQ with integrated spectrum analyzer, well suited for live bands, recording studios, and small broadcast applications.
Designed in conjunction with legendary mixer designers Greg Mackie and Peter Watts, the SoundLink MW-2408 features 16 XLR HiVolt microphone preamps with 16.5V internal voltage for clean high headroom. Line-level inputs are available via 1/4" inputs with mono inputs on channels 1-8 and stereo input on channels 9-24. Each channel offers input gain, EQ, four aux sends, an FX send, pan, mute, overload, and -20 dB LEDs, 8-bus assignment switches, a 60mm fader, and a pre-fader listen switch. Mono channels feature a 3-band EQ with a sweepable mid frequency, a 100 Hz high-pass filter, and a single-knob compressor, while stereo input channels feature a four-band EQ with two fixed-band mid-band EQs.
Outputs include a pair of XLR and 1/4" main outputs, a stereo pair 1/4" monitor outputs, 8 mono / 4 stereo bus outputs, and four aux sends with XLR outputs. Additionally, Aux 3-4 feature 1/4" musician's phones outputs, which allow vocalists and drummers to customize "more me" in their headphone mix. Mute Groups let you choose what combination of channels you want live without having to fiddle with multiple channels. Press one of 4 Mute Group buttons, and touch the channels' Mutes you want as part of the Mute Group.
The digital section features studio-quality dynamics processing with two types of compressors, two types of noise gates, and a limiter, as well as antifeedback functions, and dedicated EQs for Main L/R and Aux 1-2. The 31-band spectrum analyzer works in conjunction with the paragraphic EQ, which provides access to 9 selectable bands out of 31 bands for fast and efficient feedback suppression. The onboard digital effects utilize a 32-bit DSP engine and offer 20 types of effects from reverbs and delays to modulation FX and test tones. All digital settings can be saved and recalled for fast and efficient operation. The SoundLink MW-2408 can be rack mounted with optional rack ears. The mixer ships with a power cord and includes iZotope RX Elements
Benefits
24x8x2
True hybrid design developed with mixer design legends Greg Mackie and Peter Watts
HiVolt mic preamps, with tons of headroom (+16.5V internal voltage)
Velvet Sound A/D and D/A converters with 0.004% THD
L/R Monitor, ¼” and XLR main outs, eight ¼” Group Outs, four XLR Aux Outs, two ¼” Musician’s Phones outputs linked to Aux 3 and 4, front-panel Headphone output, stereo USB output
Eight mono / four stereo individual output buses
Musician’s Phones Monitor Section gives two musicians individual control of submixes
Mute Groups to quickly create and recall various input combinations
Talkback to L/R or to Aux 1-4
Mono channels have HI (12 kHz), MID (250 Hz to 5 kHz sweepable), and LO (100 Hz) EQ
Stereo channels feature HI, HI MID (2.5 kHz), LO MID, (250 Hz) and LO EQ
Remarkable 9-/31-band Paragraphic EQ addresses nine bands out of a possible 31 and works with built-in Spectrum Analyzer
Peter Watts designed digital Compressor, Limiter, and Noise Gate, each with editable and recallable parameters
Twenty of KORG’s renowned 32-bit digital effects—10 at once, save and recall user settings
One-knob Compressor on all mic channels
Remarkable Automatic Feedback Control
USB stereo audio output/input + input for optional foot switch
All-XLR speaker outputs
Enhanced Break Switch with 3.5mm input
Silky-smooth long-life ALPS faders and rotary controls
Fits in a 19” rack
Digital Effects
Rev Hall, Rev Hall Warm, Room, Warm Room, Rev Vocal, Rev Vocal Warm, Stage, Stage Warm, Plate Reverb, Plate Reverb Warm, Spring Reverb Warm, Analog Delay, Tape Echo, Variable Delay, Delay of the Korg SDD3000, Chorus, Flanger, Exciter, Sub Bass booster, 1 kHz test tone, Slow Sweep, Fast Sweep, White or Pink Noise
Number of Analog Input Channels 24 (8 Mono / 8 Stereo)
Number of Mic Preamps 16
Number of Analog Output Channels 20
Max I/O Capacity 24 x Input / 20 x Output
Mix Routing 8 x Mono Bus
2 x Mono Aux Send
2 x Stereo Aux Send
1 x Stereo Main LRC
Groups 8 x Subgroup
4 x Mute Group
Presets 20 x Preset (Factory)
Display Main Display:
LCD
Display Resolution/Color Main Display:
Monochrome
Faders 22 x 2.4" / 60 mm
Meters Main Meter:
2 x 12-Segment LED
Meter Range -15 dB to +18 dB Peak/Clip
Signal Processing
Gain/Trim Range XLR Mic Input:
-10 dBu to +60 dBu
1/4" Line Input:
+10 dBu to +60 dBu
Dynamic Processing Input Channels:
Compressor
Master:
Compressor, Limiter, Gate
EQ Input Channels:
3-Band EQ (Mono Channels)
4-Band EQ (Stereo Channels)
Outputs:
9-Band Graphic (Stereo Channels)
EQ Parameters 1 x HF Shelf:
±15 dB at 12 kHz (Mono Channels)
1 x MF Notch/Peak:
±15 dB at 250 Hz to 5 kHz (Mono Channels)
1 x LF Shelf:
±15 dB at 100 Hz (Mono Channels)
1 x HF Shelf:
±15 dB at 12 kHz (Stereo Channels)
1 x MF Notch/Peak:
±15 dB at 2.5 kHz (Stereo Channels)
1 x MF Notch/Peak:
±15 dB at 250 Hz (Stereo Channels)
1 x LF Notch/Peak:
±15 dB at 100 Hz (Stereo Channels)
Graphic EQ Yes
Filters Mono Channels:
1 x High-Pass: 100 Hz, 18 dB/Octave
Solo/Mute PFL per Input Channel
Channel Output/Source Monitoring PFL
Built-In Effects 12 x Stereo Reverb
4 x Stereo Delay
1 x Stereo Flanger
1 x Stereo Chorus
Real Time Analyzer 1 x 31-Band
Audio Delay None
Digital Audio
Sample Rates Up to 48 kHz
Bit Depth 24-Bit
DSP 32-Bit
Converter Dynamic Range A/D:
115 dBA
D/A:
115 dBA
Performance
Frequency Response 20 Hz to 20 kHz +0.5/-1.5 dBu
Output Level +26 dBu
Headphone Output Power 100 mW per Channel into 32 Ohms
I/O Impedance Input:
3 Kilohms
Output:
75 Ohms
Crosstalk Input to Output:
-70 dBu at 20 kHz
Adjacent Channels:
-90 dBu at 20 kHz
EIN XLR Mic Input:
-128 dBu
SNR Analog Input to Main Output:
-70 dB
THD Analog Input to Main Output:
0.004% (+4 dBu, 2901653245,2901837170)
Signal Generator Sine, White, Pink Noise
Connectivity
Analog Inputs 17 x XLR TRS Balanced Mic Input
8 x 1/4" TRS Balanced/Unbalanced Line Input
16 x 1/4" TRS Balanced/Unbalanced Stereo Line Input (8 Stereo Pairs)
Analog Outputs 2 x XLR 3-Pin Balanced Stereo Main Output (1 Stereo Pair)
2 x 1/4" TRS Balanced Stereo Main Output (1 Stereo Pair)
2 x 1/4" TRS Stereo Monitor Output (1 Stereo Pair)
4 x XLR 3-Pin Balanced Stereo Aux Send
2 x 1/4" TRS Stereo Aux/Headphone Send
8 x 1/4" TRS Balanced/Unbalanced Bus Output
Phantom Power +48 V
Digital I/O 0 x DB25
MIDI I/O None
USB 1 x USB Type-B (USB 2.0, 2-Track Record, Audio Playback)
Expansion Ports None
Wireless Connectivity None
External Display Connection None
Recording
Max Multitrack Recording 2 Tracks
Compatibility
OS Compatibility macOS
Windows
iOS
*As of March, 2021: Check with manufacturer for the most up-to-date compatibility
Power
AC Input Power 100 to 240 VAC, 50 / 60 Hz
AC Power Connector 1 x IEC Input
Power Consumption 45 W (Typical)
Physical
Rack Mountable Yes
Rackmount Size 12 RU (with Optional Hardware)
Operating Temperature 32 to 110°F / 0 to 43°C (Recommended)
Dimensions 18.9 x 7.4 x 20.9" / 480 x 187 x 530 mm
Weight 20.5 lb / 9.3 kg